The vintage-style, fully stereo 1974 is a four-band parametric equaliser that delivers analogue musicality and sonic clarity, inspired by classic 1970s gear. From subtle stereo mix shaping to bold tonal sculpting, it brings warmth and character that digital emulations rarely achieve.
With genuine stereo operation, a single set of controls governs both channels for fast, immersive use. Precision stepped potentiometers ensure tight left/right tracking, while indented controls make recall quick, simple, and reliable. Fully variable bandwidth on the mid bands allows adjustments to be as surgically precise or as broad and natural as required.
The 1974 also features fully adjustable low- and high-cut filters, plus switchable slopes on both the low and high bands. A unique Peak mode on the low band magnifies the bottom end, making the 1974 a versatile and musical tool for any studio.
The 1974's stereo-linked operation makes adjustments fast and intuitive, with one set of controls affecting both channels simultaneously.
Each precision potentiometer is hand-matched by Drawmer technicians for accuracy within tight tolerances. Indented steps provide reliable recall for fine adjustments and repeatable mastering settings.
The 1974 is a true four-band parametric equaliser, each band offering fully variable frequency control with ±12dB of cut and boost.
The two mid bands include fully variable bandwidth adjustment, enabling you to target very narrow sections of the spectrum or apply wide, natural filters. This flexibility makes the 1974 suitable for everything from delicate tonal shaping to bold corrective EQ.
The 1974 includes fully variable low- and high-cut filters for precise control at the frequency extremes. The low-cut (high-pass) filter ranges from 10Hz-225Hz, while the high-cut (low-pass) covers 4kHz-32kHz.
Unlike fixed designs, these variable controls can be swept to find the perfect setting and remove unwanted content with pinpoint accuracy. Cutting rumble, hiss, or unnecessary frequencies prevents build-up across multiple tracks, improving headroom and keeping mixes open and transparent.
A great choice if you’re looking for a classic-styled but affordable EQ.
Few analogue parametric equalisers provide adjustable slopes, but the 1974 offers 6, 9, and 12dB per octave on the low band, plus a unique Peak mode. The high band can be switched between 6 and 12dB per octave.
Peak mode adds a narrow bell to the 12dB-per-octave low band just before roll-off, magnifying the impact of low-frequency sources. On kick drums, it adds weight and definition to the attack while filtering subsonic energy, keeping the low mids tight and punchy.
