The 1971 is a dual-channel, four-band parametric equaliser that combines precision with classic analogue warmth. It delivers the accuracy required for delicate tonal shaping and fast recall, while also being capable of bold sculpting that brings out character in any source.
At the heart of the design is the CRUSH feature - a unique harmonic saturation tool available on every band. By introducing controlled distortion, CRUSH recreates the sound of driving a vintage console or tape machine. From subtle colour to more aggressive grit, it can add weight to drums, lift vocals, or bring shimmer and presence to an entire mix.
Each channel of the 1971 features four fully parametric bands with variable frequency, ±12dB of cut and boost, and precision stepped potentiometers for accurate recall. The two mid bands also include continuously variable bandwidth, allowing you to pinpoint narrow problem areas or apply broad, natural filters.
This versatility makes the 1971 equally effective for corrective EQ, tonal shaping, or creative sound design, while maintaining the musicality of a true analogue design.
Fully variable low and high cut filters (10Hz-240Hz and 4kHz-31kHz) provide fast and accurate removal of rumble, hiss, or other unwanted extremes. Unlike fixed-frequency designs, the sweepable controls allow you to bracket individual tracks with precision, keeping mixes clear and balanced.
The low and high bands also feature adjustable slopes, carefully chosen for their musicality. Options of 6, 9, and 12dB per octave are available, plus a Peak mode that adds a focused boost at the knee of the low filter. Especially effective on kick drums, this reinforces punch and weight while filtering subsonic content.
The Drawmer 1971 is incredibly versatile and the "Crush" button will make you jump from the chair! One of the most useful pieces of gear you can have.
CRUSH is fully progressive: the more boost you apply to a band, the stronger the saturation effect becomes. In the lows, it can fatten kick drums, bass, and toms. In the mids, it adds warmth to vocals, thickens guitars, or brings punch to percussion. At the top end, it can add shimmer to cymbals and brightness to strings.
Use the CRUSH switch for instant A/B comparisons to judge the effect. For heavier boosts, simply keep an eye on the EQ O/L LED to ensure levels stay under control. With CRUSH, the 1971 becomes more than an equaliser - it is both a precise corrective tool and a creative source of vintage analogue colour.
