The 1971 is a dual-channel, four-band parametric equaliser that combines precision with classic analogue warmth. It offers the accuracy needed for delicate tonal shaping and fast recall, yet delivers bold, musical sculpting that brings out character in any source.
At the heart of the design is the Crush circuit - a unique harmonic saturation tool on every band. By adding controlled distortion, Crush recreates the character of driving a vintage console or tape machine. From subtle colour to more aggressive grit, it can add weight to drums, lift vocals, or bring shimmer and presence to a full mix.
Each channel features four fully parametric bands with variable frequency, ±12dB of cut and boost, and precision-stepped potentiometers for consistent, repeatable results. The two mid bands also include continuously variable bandwidth, letting you focus tightly on problem areas or apply broad, natural filters.
This flexibility makes the 1971 equally at home for corrective EQ, tonal shaping, or creative sound design, all while maintaining the musicality of a true analogue design.
Fully variable low and high cut filters (10Hz-240Hz and 4kHz-31kHz) offer precise control for removing rumble, hiss, or other unwanted extremes. Unlike fixed-frequency designs, the sweepable controls let you bracket individual tracks with accuracy, keeping mixes clear and balanced.
The low and high bands also include adjustable slopes, selected for their musical response. Choose between 6, 9, or 12dB per octave, or engage Peak mode to add a focused boost at the knee of the low filter. Particularly effective on kick drums, this reinforces punch and weight while filtering subsonic content.
The Drawmer 1971 is incredibly versatile and the "Crush" button will make you jump from the chair! One of the most useful pieces of gear you can have.
Crush is fully progressive: the more boost you apply, the stronger the harmonic effect. In the lows it fattens kick drums, bass, and toms; in the mids it adds warmth to vocals, guitars, and percussion; at the top end it brings shimmer to cymbals and brightness to strings.
Use the Crush switch for instant A/B comparison, and keep an eye on the EQ O/L LED when applying heavier boosts. With Crush engaged, the 1971 becomes more than an equaliser - it's both a precise corrective tool and a creative source of vintage analogue colour.
